A BATTLE IN PHOENIX
Yesterday, Professor Charles Xavier was contacted by a journalist operating in Phoenix, Arizona. She introduced herself as Hayley Adeyemi and explained that, according to her sources, a contaminated batch of Kick had made it to the streets and was causing chaos throughout the city. The drug, which typically produces a mental high in anyone that takes it and amplifies the powers of any mutants that take it, has been a problem in the area for years now, but this is different. This batch seems to amplify powers to an uncontrollable degree and to have hallucinogenic properties, leading to disastrous outcomes. There have been at least two incidents of mutants lashing out in volatile and unpredictable ways and both are now in custody. While she's tried to get interviews with the mutants in question, she's currently being denied access and the authorities have been openly hostile with her. She's also attempted to get the word out in the local mutant communities, but has been met with skepticism and distrust. So, instead, she's reached out to the X-Men. With this information, Charles began making plans to send the Blue Team to investigate.Unfortunately, before this could happen, the situation escalated.
On Sunday afternoon, Charles receives another call from Hayley Adeyemi. This one is frantic and telling him of a situation unfolding in downtown Phoenix. A young woman seems to have taken the drug and is now causing catastrophic damage in the form of violent storms. Devastating winds. Torrential rain. Lightning that strikes anything that tries to get close to her and thunder that seems to shake the very earth. Someone needs to intervene or people are going to be killed. Charles agrees to send the Blue Team out and with Illyana Rasputin on hand, they're able to arrive in a matter of minutes. Fighting their way through the storm to reach the woman and get civilians out of harm's way, the team is just beginning to turn the tides and subdue the out of control mutant when a unit of sentinels descends from the sky.
Apparently, Hayley wasn't the only one making calls.
Immediately, the machines close in on her, their booming robotic voices ordering her to halt and stand down. Seemingly directed to neutralize and detain only the threat, they ignore the X-Men. Unfortunately, they're soon caught in one of the woman's electrical storms and begin to malfunction. The sentinels are no longer acting with restraint, turning on the X-Men as well as nearby civilians. Some attempt to detain. Some attempt to kill. In the midst of all this, the mutant they'd come to help is shot clean through, her powers getting even more out of control as she bleeds out. It's absolute chaos.
As the fight continues, several civilians and members of the team are detained by the sentinels and pulled into containment cells in their chests before they take to the sky and depart the fight to take them into custody. Kurt Wagner puts in the call for backup from Gold Team. Together, the X-Men are able to bring down the rampaging sentinels, but it's a bittersweet victory. The mutant woman they'd come to help succumbs to her injuries. The city is wrecked. Some of their own are in custody at best or missing at worst. And, already, the media is starting to swarm.
It's going to be a long day.
Use the form below to determine your character's role in the mission!
NOTE: For Gold Team, skip the Initial Strategy question, since they are not there for that part of the encounter. Additionally, Gold Team arrives after the departure of the sentinels that are capturing targets and there for cannot be captured. (But in future missions...)
THE AFTERMATH
There's nothing else they can do for the unfortunate woman now, so the team reluctantly splits up to do what they can...Paige Guthrie, Remy Lebeau, Warren Worthington, and [Character 1] remain downtown to help however they can. They clear debris, aid first responders, search for the missing and the dead, and the like. They also have to play nice with the media, who quickly arrive on the scene to capture the aftermath and try to get an interview from the heroes of the hour. Or the mutant menaces, depending on which station you're talking to.
Jono Starsmore, Laura Kinney, Kitty Pryde, and [Character 2] investigate the source of the contaminated Kick. After finding out the woman's identity (her name was Mona Elswick), they're able to find where she lived and investigate her home. There, they find contacts (who all swear up and down that she wasn't a mutant) and are eventually pointed to a two-bit drug dealer who insists he got the Kick dirt cheap from a 'guy in a real nice suit', but swears he doesn't know anything more than that. For now, it's a dead end.
Kurt Wagner, Sam Guthrie, Anna Marie LeBeau, and Scott Summers track the sentinels that fled the fight. For better or worse, the sentinels do keep to protocol and bring those they captured to the nearest Mutant Detention Center (in isolated Komatke, Arizona), where mutants are detained following capture by sentinels or other authorities.
Anyone that was captured has since been collared (preventing them from using their powers) and is waiting in a cell while the situation is sorted out. Anyone that was not registered ahead of this event is undergoing interrogation (with trained agents, including a telepath) and an assessment of their powers. Congratulations, now you're registered! But at least your teammates are here to bail you out.
THE AFTERMATH: Jono & Paige
His expression is difficult to read, as it so often is with his incomplete face.
«Like we helped the wrong people,» he admits slowly, his psionic voice sounding burdened with conflict and frustration, «Never bad to help them too. But...fuck. Mutants getting the short end again, eh?» They hadn't saved Mona. They hadn't discovered the origin of the contaminated Kick. All they'd done was protect people that'd probably hate them under different circumstances.
Probably not true, not entirely, but that's how it feels.
«How're you feeling about 'all that'?»
THE AFTERMATH: Jono & Paige
Paige takes a sip of coffee, afterwards chewing on her lip for a moment before replying.
"Not real good, honestly. A little sad." Her eyes fall down to her mug, watching the coffee to try to have something to focus her attention on that isn't her feelings. "We just have to keep trying to make it better, I guess. But... sending Sentinels when Blue Team was already there? It's so pointless. An' needlessly dangerous."
THE AFTERMATH: Jono & Paige
«People that made that call either don't trust the X-Men or don't care about needless danger, so long as we're the ones taking the risks. We keep trying, maybe that changes. So...yeah, we keep trying.» He doesn't know if he actually believes that, but he thinks Paige does. He shrugs again. «...But you did a lot of good, anyway,» he adds after a moment, «No reason to punish yourself with black coffee.»
He's known her long enough to know she prefers sugar and cream but that she feels like she has to earn it. And the mug in front of her is pitch dark.
THE AFTERMATH: Jono & Paige
She finally lifts her gaze and sticks out her tongue. "Maybe I just felt like havin' it black since it's late in the day." This makes no sense, but maybe Jono won't notice (she knows he will).
THE AFTERMATH: Jono & Paige
There's no need to call her on it more directly, though.
«Right. Wish in one hand, shit in the other, innit?» he agrees more somberly, then goes quiet for a beat, seeming to consider something. «...everyone that knew that girl swore up and down she wasn't a mutant. What do you make of that? Think she was hiding or just had the worst manifestation on bloody record?»
Even worse and even more spectacular than his own, which is saying something.
THE AFTERMATH: Jono & Paige
There are other things to focus on anyways, like her friend's observation about the girl at the center of it all. Her mug falls away from her lips as she frowns.
"...the Kick could have made them manifest, maybe. But I s'ppose with powers like hers she maybe could've hid them. Nothing at her house pointed to anything? Y'all didn't get on her computer or anything, right?"
THE AFTERMATH: Jono & Paige
Not anymore, though.
Jono folds his arms, brow creasing as he reflects on it all. But it doesn't seem like there's meaning to be found in any of it.
«...I guess it doesn't make a difference.»
THE AFTERMATH: Jono & Paige
"Yeah, Ms. Pryde really didn't seem like she was doing well when I talked to her, so I'm not too surprised. She promised she'd go to the infirmary, though." Which, hopefully she did. Paige doesn't feel like she can ask. She lets out a little sigh, her elbows going to rest on her knees and her chin cupped in her hands as she continues to watch Jono.
"If we find out that the other people whose powers went wild weren't known mutants before it's a pattern, at least." Not that that solves anything that happened already.
THE AFTERMATH: Jono & Paige
«I'm sure she did.» He's not, but it seems like the thing to say. «Bloody stupid not to.»
Leaning forward and resting his elbows against his knees, he looks at Paige and nods. She's right. If there's a pattern there, it probably means...something. That this new variant of Kick can kickstart latent mutations, whether by accident or by design.
«Something to look into, at least. And maybe Frost can pry more out of that dealer's brain than he gave us. Details in his subconscious about the guy he got this shit from in the first place.» He shrugs. It's a lot of maybes and may just bring them back to another dead end. «Problems for another day, though. Too soon to be talking shop.»
THE AFTERMATH: Jono & Paige
She shakes her head, hesitantly glances back at her coffee for a moment (no, she doesn't need that), and then finally focuses on Jono again.
"...you're right. There's no need to try to force any sort of plan today. Asking Ms. Frost will be good, though, for whenever she's ready to get back out in the field." Which, from what little she knows of the woman, probably won't be too long.
Paige goes quiet for a few moments after this before letting out a heavy sigh and dropping onto her side. "We did a good job today." She says this more for herself than for him.
THE AFTERMATH: Jono & Paige
He spends a few moments thinking back over the long day. The intense battle.
«...saw that thing try to grab you and lose a bloody hand, though,» he adds abruptly, his tone picking up a hint of brightness. Maybe excitement. Maybe admiration. He remembers the moment clearly. He'd been too far away to intervene and he'd felt a rush of fear watching a sentinel's metallic tendril extend from its palm and lash out at Paige, attempting to grab her. It was what had happened to some of the others. Except she'd leapt and rolled out of the way, only to catch the tendril before it could retreat and pull it so hard that she'd ripped it clean out. There had been sparks and the screeching of metal on metal before smoke started pouring out of the damaged limb. «That was brilliant. Real hero shit.»
THE AFTERMATH: Jono & Paige
The praise she receives, though, is embarrassing. Not because she doesn't know that what she did was pretty cool, and not because she's unaccustomed to it. It's what she's always striving for, after all. But there's something about this that hits her in a strange way, so she rolls her eyes a bit, rolls her head to the side too to look at the ceiling as she smiles.
"Yeah, well, had to do somethin' about it. Saw you take out that one's legs and topple it into the other. Also real hero stuff."
THE AFTERMATH: Jono & Paige
...What did she just say?
«Right. Well. No surprise, is it? We knew we can hold our own.»
THE AFTERMATH: Jono & Paige
"'m sure Mr. Summers will have the Danger Room ready with new Sentinel scenarios in no time. Then we'll really be trouble for 'em."
THE AFTERMATH: Jono & Paige
«Good thing. I was getting tired of bloody dinosaurs.»
THE AFTERMATH: Jono & Paige
"They were workin' out some trauma, pretty sure, with all them dinos."
She rolls over again to look at Jono, eyes half-lidded now.
"You ever see 'We're Back'? Used to sorta stress me out. But I wanted the smart cereal so bad."
THE AFTERMATH: Jono & Paige
«Yeah. Bloke gets eaten by crows at the end, right? Grim.» He can't smile, but a hint of amusement is audible in his psionic voice when he adds, «Why? You want me to put it on?» He doesn't actually have much interest in a We're Back refresher, but there's no quicker way to get an already drowsy Paige Guthrie to fall asleep than to put on a movie.
THE AFTERMATH: Jono & Paige
"Don't put it on, I need t' get all the skin off."
THE AFTERMATH: Jono & Paige
He considers and slowly stands, watching her all the while.
THE AFTERMATH: Jono & Paige